![]() ![]() Now, there is a lot to rave about, to be honest. ![]() This is not my first time with this lens as I have already used it when I was using it for sports photography and called it one of the best lenses for sports photography and I mentioned how versatile this lens is. The Nikon 35mm f/1.8 is the DX variant that I am reviewing today, and it has always been one of my favorite lenses. For those who do not know, Nikon DX cameras are essentially crop-sensor cameras and while most camera manufacturers treat these cameras like an afterthought, Nikon does not and that’s a good thing. One of the things that I love about Nikon is their dedication to providing DX-format lenses. It comes with a bright aperture and returns sharp images. Nikon 35mm f/1.8 does not cost a lot and is lightweight. USB 2.0 Hi-Speed, HMDI, 3.Nikon 35mm f/1.8 – Best Landscape Lens for Nikon D5300 Manual, single-shot AF, 9 points, 21 points or 39 points dynamic AF, automatic AF, 3D trackingĢ016-pixel RGB metering sensor with 3D Color Matrix metering (evaluative), centreweighted and spot Single, continuous high at 5fps, continuous low at 3fps, self-timer, remote, quietģ0-1/4000sec in 1⁄3EV or 1/2EV steps plus bulb The higher the number visible in these images, the better the camera’s detail resolution at the specified sensitivity setting.Īuto, 6 presets (with fine-tuning), plus custom settingġ920 x 1080 pixels (at 60i, 30, 25 or 24p), 1280 x 720 pixels (at 60 or 50fps), 640 x 424 pixels (at 30 or 25fps), MOV files with MPEG-4 AVC/H.264 compressionĮlectronically controlled focal-plane shutterĪrticulated 3.2in LCD with 1.037 million dotsģ9 or 11 focus points, individually selectable AF pointsĪuto, program, aperture priority, shutter priority, manual, 9 special effects modes, 17 scene modes and 5 presetsġ4-bit raw, JPEG, raw + JPEG simultaneously We show the section of the resolution chart where the camera starts to fail to reproduce the lines separately. These images show 72ppi (100% on a computer screen) sections of images of a resolution chart, captured using the Sigma 105mm f/2.8 macro lens. I was able to get more detail from a processed raw file. ![]() At this ISO detail begins to smudge, with JPEGs being particularly affected. Previewing in full screen mode on a 24in screen, luminescent noise is only evident at ISO 6400 and above. At ISO 800 some luminescence noise appears in dense shadow areas, but overall it’s well controlled. Pictures taken from ISO 100-400 are noise-free unless pixel peeping. I shot some images using a Nikon 24-70mm f/2.8 lens and saw a vast improvement in quality. ![]() Better-quality glass would improve things significantly. The Nikkor AF-S 18-55mm f/3.5-5.6 kit lens is OK, but it fails to unlock the true potential of the camera. Typically this was +1 or +2 on our resolution score. The D5300 pushes this impressive score even further, scoring 31 at ISO 100, while also making improvements upon the D5200 performance in higher ISO sensitivity settings. For this reason, the native ISO range has been extended to ISO 100-12,800, with Hi1 equivalent to ISO 25,600.Īt ISO 100 the Nikon D5200’s raw file scored 30 on our resolution chart. Nikon claims that with the new Expeed 4 processor noise reduction is equivalent to 1 f-stop. The noise is very well controlled and not detracting from the image Image: This image was taken at ISO 3200 and it is a crop of approximately 40% of the original. Nikon D5300 review – Noise, resolution and sensitivity ![]()
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